Perhaps one day I will see it through the eyes of a mother, and if I do, I will update this review accordingly.Īzra Humayra is a journalism major and enjoys French new wave films as they are slow. Seeing this film through the eyes of a daughter has been overwhelming. Ingmar Bergman brilliantly balances the conflicting emotions of love and hate within the relationship. It encompasses the intricacies of our unique bond, built upon a lifetime of shared experiences, memories, and emotions. However, understanding her as only my mother adds a layer of complexity. My mother, as a woman, is a true source of inspiration to me, and her journey illuminates the path towards my own aspirations. One allows me to understand the trials she has faced and the persistence with which she overcame them. To comprehend my mother as a woman and to comprehend her as my mother are two distinct yet intertwining feats. Read more How I celebrated Mother’s Day through the years If it is an apology that I am seeking, it is off the table. This is because addressing it would necessitate engaging in a difficult conversation with my mother, which I prefer to avoid, as years of accumulated emotions are laced with denial. Like Eva, I possess a deep love and reverence for my mother, but there persists a certain animosity that we willingly overlook. A devoted wife is visited by her mother, a successful concert pianist who had little time for her when she was young. With Ingrid Bergman, Liv Ullmann, Lena Nyman, Halvar Bjrk. We see in Eva’s pained expression a lifetime of displeasing her mother, and it’s devastating. Autumn Sonata: Directed by Ingmar Bergman. This is a familiar pattern between the two, we feel, as the mother trumps the daughter. I believe something similar affected my upbringing. Charlotte, who has spent a lifetime performing Chopin, interprets the music in a way that far surpasses Eva’s amateurish effort. Though it may be terrifying to consider, perhaps a part of her did not truly desire any of these responsibilities, like Charlotte. As a woman, I understand the indoctrination that we undergo under the veil of maturation. I saw the movie years ago and barely remember most of it, but that sequence still stings every time I think about it. Victoria Finlay Published: 9:59am, 2 Aug, 2019 Why you can trust SCMP ‘Autumn Sonata’, an opera created by Finnish composer Sebastian Fagerlund based on a 1978 Swedish film of the same name. The societal construct in which she found herself prevented her from fully realising her potential, and instead placed upon her a set of responsibilities that she believed she wanted. The scene where the two of them play the same Chopin prelude, with Ingrid tearing her daughters rendition to ribbons, left an apparently indelible mark on me. She is a self-centered concert pianist who is paying a visit upon Eva’s request. Off the top of my head, I can name a few reasons as to why this happens – personality clashes, intergenerational differences, life stage differences, family history, and past experiences she had as a woman. Charlotte (Ingrid Bergman) is her mother. It appears as though my mother perceives me as a woman rather than simply her child. Read more Are we doing enough for our mothers?
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